Paul Klee : Painted Songs

"One eye sees, the other feels"
​- Paul Klee

About Paul Klee : Painted Songs 
​Paul Klee : Painted Songs is an ongoing series of interdisciplinary chamber works inspired by the visual art of Paul Klee. The series began in 2011 as a composition assignment from my first composition teacher, Luke Dahn, who asked all of his students to compose a work for clarinet and piano inspired by the iconic "Twittering Machine." Over the years, I have added to the series, continuing to draw on the wealth of inspiration from Klee's images, which are filled with musical references, textures, colors, and symbols that closely link musical concepts with Klee's philosophy of visual art. To me, these pieces are musical settings of visual poetry, hence "painted songs." What continues to fascinate me about Klee is both the diversity and consistency of his total body of work. Throughout his vast career, certain ideas continue to resurface and find new applications. In this spirit, Paul Klee: Painted Songs continues to expand, ever exploring the poetry of his work through musical interpretation.

Performing Paul Klee : Painted Songs
Each piece within Paul Klee : Painted Songs can be performed separately and is considered an independent, free-standing musical work. But, performers are encouraged to re-contextualize these pieces into "galleries." Like a curator of an art gallery, performers can combine these works
in any order or number, interpolate them with other works by other composers, or arrange them for different instrumental forces. Some pieces are more flexible than others, but the full work is designed to be self-referential and open to interpretation. As the series grows larger, I have aided
"curators" by arranging and composing my own "galleries," multi-movement works that were conceived together. But even these collections can be rearranged and will evolve as more "painted songs" are added to the series and developed in collaboration with performers.

"Art does not reproduce the visible; rather it makes visible"
​- Paul Klee

Which "songs" are completed?
Currently, around fifty works are completed and over a hundred works are in progress or planned. A few of the "galleries" are listed below and individual movements with orange links are completed and available for purchase. If you are interested in performing one of these completed galleries, go to the Galleries page, or contact me directly if you are interested in an incomplete gallery or want to create a custom gallery.
​
Why list unfinished works?
To me, even conceptualized works are "in progress" because though they may be unfinished, they are still "compositions" in my head. If you are interested in any of the 165 works in this series, even those that are listed as unfinished, let me know! I would be thrilled to complete them in collaboration with your ensemble! Also, if you find a painting by Paul Klee and want to commission a new "painted song," please contact me directly.

Why "only" 165?
This is the number of squares in “Ancient Sound,” the last planned work in the series. In a way, it represents the entire series in all its facets. Each square is like its own canvas – its own room of the gallery – its own universe – but is connected to the rest through color, harmony, rhythm, and form – and by the eye of the artist. “Ancient Sound” began near the beginning of the project in 2011, but early drafts for bass guitar were discarded. Later (in 2018), it was imagined as an abstract, open score, indeterminate work as No. 50, then No. 80, then No. 100, and finally No. 165. Its position as the final painting is also ironic – because its indeterminate nature prompts endless variations and is more of a launchpad into the unknown than a final testament. At the time of its completion, around 25 other works were complete and 88 were planned. The ambitious goal of completing 165 settings in the full series is daunting, but now that there is a goal, one can work from both ends without worrying about burying this experimental ideal in the middle of the catalogue. Other experimental works (No. 155 through 165) are also planned, but there are plenty of remaining slots for whatever comes next! If I surpass my goal of 165, so be it! Note: Some of the squares in "Ancient Sound" could be divided further, depending on the lighting or an individual's perception of color! 165 is how many squares I counted and used as the basis for my musical setting.

Interested in joining a consortium of an in-progress work?
See the current list of projects here.

Interested in commissioning a new "painted song?"
Go to the commissioning page.

Galleries and Collections
Each piece within Paul Klee: Painted Songs can be performed separately and is considered an independent, free-standing musical work. But, performers are encouraged to re-contextualize these pieces into "galleries." Like a curator of an art gallery, performers can combine these works in any order or number, interpolate them with works by other composers, or arrange them for different instrumental forces. Some pieces are more flexible than others, but the full work is designed to be self-referential and open to interpretation. As the series grows larger, I have aided "curators" by arranging and composing my own "galleries," multi-movement works that were conceived together. But, even these can be rearranged and will evolve as more "painted songs" are added to the series and developed in collaboration with performers.

Interested in an existing gallery?
Go to the gallery page.

Interested in a custom gallery?
See the custom gallery page.

All Pieces Listed by Gallery

Gallery I (Saxophone Ensemble with Percussion and/or Piano)
I. No. 3b “White-Framed Polyphonically” (saxophone choir)
II. No. 1b “Twittering Machine” (alto saxophone and piano)
III. No. 58 "Demon Above Ships" (saxophone quartet)
IV. No. 6 “Red Balloon” (baritone sax, vib, and mar)
V. No. 2b “High Spirits” (sopranino saxophone and perc)
VI. No. 59 "Introducing the Miracle" (saxophone quartet)
VII. No. 7 “Separation in the Evening” (tenor sax and vib)
VIII. No. 8 “Fire in the Evening” (tenor saxophone and vib)
IX. No. 4b “Fugue in Red” (saxophone choir)
 
Gallery II.A (Pierrot Ensemble – Fl, Cl, Vln, Vc, Pno) 
I. No. 12a "Hovering" (piano)
II. No. 13 "Rose Garden" (ensemble)
III. No. 14 "Destroyed Place" (flute)
IV. No. 15 "Flowers in the Wind" (violin, violoncello, piano)
V. No. 1a "Twittering Machine" (clarinet and piano)
VI. No. 16 "In the Magic Mirror" (violoncello)
VII. No. 17 "Carnival in the Mountains" (ensemble)
VIII. No. 18 "Intoxication" (violin)
IX. No. 19 "She Bellows, We Play" (flute and clarinet)
X. No. 9b "Illuminated Leaf" (piano)
XI. No. 20 "Unstable Equilibrium" (violin and violoncello)
XII. No. 21 "Mask of Fear" (clarinet)
XIII. No. 22 "Dream City" (ensemble)

Gallery II.B (Fl, Cl, Vln, Vc, Pno, Perc)
I. No. 12c "Hovering" (ensemble)
II. No. 19 "She Bellows, We Play" (flute and clarinet)
III. No. 14b "Destroyed Place" (flute, opt. perc)
IV. No. 17b "Carnival in the Mountains" (ensemble)
V. No. 2a “High Spirits” (flute and percussion)
VI. No. 22b "Dream City" (ensemble)

Gallery II.C (Fl, Cl, Vln, Vc, Piano)
I. No. 13 "Rose Garden" (ensemble)
II. No. 1a "Twittering Machine" (ensemble)
III. No. 18 "Intoxication" (violin)
IV. No. 17 "Carnival in the Mountains" (ensemble)
V. No. 16 "In the Magic Mirror" (violoncello)
VI. No. 20 "Unstable Equilibrium" (violin and violoncello)
VII. No. 22 "Dream City" (ensemble)

Gallery II.D (Vln, Vc, Piano)
I. No. 121 "Ask Yourself" (violin)
II. No. 15 "Flowers in the Wind" (ensemble)
III. No. 18 "Intoxication" (violin)
IV. No. 20 "Unstable Equilibrium" (violin and violoncello)
V. No. 16 "In the Magic Mirror" (violoncello)
VI. No. 9c "Illuminated Leaf"  (ensemble)

Gallery III.A (Fl, Cl, Bsn, Percussion)
I. No. 128a “Chariot of Virtue" (ensemble) 
II. No. 6 “Red Balloon” (bassoon, vibraphone, and marimba)
III. No. 21 "Mask of Fear" (clarinet)
IV. No. 20b “Unstable Equilibrium” (flute and bassoon)
V. No. 2 “High Spirits” (flute and percussion)
VI. No. 10 “Colorful Lightning” (bassoon and percussion)
VII. No. 11 “Groynes” (bassoon and percussion)
VIII. No. 19 "She Bellows, We Play" (flute and clarinet)
IX. No. 14 "Destroyed Place" (flute, opt. tam-tam)
X. No. 127a "Day Music' Fragment I (ensemble)

Gallery III.B (Ob, Vln, Vc, Percussion)
"Never Ending"
No. 75b "Howling Dog"
No. 20c "Unstable Equilibrium"
No. 127b "Day Music" Fragment II
other movements TBD

Gallery III.C (Tpt, Hn, Db, Percussion)
No. 130a "Tightrope Walker"
No. 126b "Brother and Sister"
No. 125b "Refuge"
No. 127c "Day Music" Fragment III
other movements TBD

Gallery III.D (Vla, Hp, Piano, Percussion)
No. 129 "Small World"
No. 127d "Day Music" Fragment IV
other movements TBD

Gallery IV.A  - Triptych
No. 123a “Hardy Plants” (ensemble)
No. 124a “Plants in the Moonlight” (ensemble)
No. 137a “Translucent Orange-Blue” (ensemble)

Gallery IV.B (Fl, Cl, Vln, Vc, Pno, Perc)
Introduction "Never Ending"
No. 129a "Small World" - Part I
No. 128b "Chariot of Virtue"
Interlude I "Never Ending"
No. 123b "Hardy Plants"
No. 124b "Plants in the Moonlight"
No. 137b "Translucent, Orange-Blue"
Interlude II "Never Ending"
No. 130b "Tightrope Walker"
No. 129a "Small World" - Part II and III
Conclusion "Never Ending"
 
Gallery IV.C (Cl, Vln, Vc, Piano)
I. No. 117 "Ghost of a Genius" (ensemble)
IIA. Heroic Strokes of the Bow I or
IIB. No. 18 "Intoxication (Im Rausch)" (violin)
III. No. 33a “Hardy Plants” (ensemble)
IVA. The Grey Man and the Coast I or
IVA. No. 21 "Mask of Fear" (clarinet)
V. No. 15 "Flowers in the Wind" (violin, violoncello, piano)
VIA. Historic Strokes of the Bow II or
VIB. No. 16 "In the Magic Mirror" (violoncello)
VII. No. 34a “Plants in the Moonlight” (ensemble)
VIIIA. The Grey Man and the Coast II or
VIIIB. No. 12a "Hovering" (piano)
IX. No. 137a “Translucent Orange-Blue” (ensemble)

Gallery V (Cl, Pno, 2 Perc)
I. / V. No. 12b "Hovering" (clarinet, piano, and percussion)
II. / IV. No. 24 “Oceanic Landscape” (piano and percussion)
III. No. 21 "Mask of Fear" (clarinet)
IV. / II. No. 23 “Mural from the Temple of Longing" (cl, perc)
V. / I. No. 9b "Illuminated Leaf" (clarinet, piano, and perc)
 
Gallery VI (Cl, Hn, Pno)
I. No. 9C "Illuminated Leaf" (clarinet, horn, piano)
II. No. 1a "Twittering Machine" (clarinet and piano)
III. No. 75 “Howling Dog” (horn)
IV. No. 12 "Hovering" (piano)
V. No. 21 "Mask of Fear" (clarinet)
VI. No. 126 “Brother and Sister” (horn and clarinet)
VII. No. 125 “Refuge” (clarinet, horn, piano)

Gallery VII (Cl, Bsn, Tpt, Tbn, Vln, Cbs, Perc)
Selections from No. 107 - 121

Gallery VIII "Octet" The Moon Dream
​fl, cl, ob, vln, vla, vc, pno. perc)
I. No. 25 "Strong Dream"
II. No. 26 "Ad Marginem"
III. No. 27 "Moonrise - Sunset"
IV. No. 28 "Eclipse of the Sun"
V. No. 29 "Full Moon"
VI. No. 30 "Moon Light"
VII. No. 31 "Fire at Full Moon"

Gallery IX (Vln, Vla, Vc)
I. or V. "Sunset"
II. or IV. No. 18 "Intoxication"
Ad Parnassum (Part I)
III. "Dancer"
Ad Parnassum (Part II)
II. or V. No. 16 "In the Magic Mirror"
I. or V. "Cacodemonic"

Gallery X "The Quintets"

Part I (Wind Quintet and Percussion)
I. No. 131 “Southern (Tunisian) Garden”
II. No. 132 “Red and White Domes”
III. No. 133 “Remembrance of a Garden”

Part II (Brass Quintet and Percussion)
I. No. 134 “Animals in an Enclosure”
II. No. 135 “Around the Fish”
III. No. 136 “Cat and Bird”

Part III (String Quintet and Percussion)
I. TBD
II. TBD
III. TBD

Gallery XI (Strings, Harp, Guitar, 2 Percussion)
I. No. 144 "Ad Parnassum"
II. No. 145 "Revolving House"
III. No. 146 "Monument in Fertile Country"
IV. No. 147 "Equals Infinity"
V. No. 148 "Highways and Byways"
VI. No. 149 "Coast of Provence"
VII. No. 150 "Pastorale (Rhythms)"

Gallery XII "The Quartets" and "Fugues"
Quartet I (Flute)
​Quartet II (Oboe)
Quartet III (Clarinet)
​Quartet IV (Bassoon)
​Quartet V (Horn)
​Quartet VI (Trumpet)
​Quartet VII (Trombone)
​Quartet VIII (Euphonium / Tuba)
​Quartet IX (Mallet Percussion)
​Quartet X (Percussion)

Fugue I No. 4 "Fugue in Red"
Fugue II No. 54 "Growth of the Night Plants"
Fugue III No. 55 "Ripening Growth"
Fugue IV No. 56 "Suspended Fruit"
Fugue V No. 57 "Plant Growth"

Gallery XIII "Scherzo for 13"

Gallery XIV (Mixed Ensemble - Octet)
I. No. 3 “White-Framed Polyphonically” (octet)
II. No. 151 "Pyramid" (octet)
III. No. 152 "Resting" (octet)
IV. No. 153 "Double Tent" (octet)
V. No. 154 "Architecture of the Plane" (quintet)

Gallery XV (Flex Ensemble)
No. 155 "Like a Window Pane"
No. 156 "Harmony of Southern Flora"
No. 157 "Static-Dynamic Gradation"
No. 158 "The Blooming Garden"
No. 159 "Harmony Blue=Orange"
No. 160 "Architektur"
No. 161 "Colorful Flower Beds"
No. 162 "Noerdlicher Ort"
No. 163 "Country House of Thomas R."
No. 164 "Herbstsonniger Ort"
No. 165 "Ancient Sound"

Pieces and Galleries Without Numbers
"Never Ending"
"Abstract Color Harmony in Squares with Vermillion Accents"
"New Harmony"
"Quadratbilder"
"Superchess"
"The Red and the Black"

Ballet "Two Jesters in a Temple" (bscl, bsn, 2 perc)
Scene I "Little Jester in a Trance"
Scene II "Woher? Wo? Wohin?"
Scene III "Felsentempel mit Tannen"
Scene IV "Colorful Lightning" (No. 10c)
Scene V "Im Flora Tempel"
Scene VI "Way into Blue"
Scene VII "Groynes" (No. 11c)
Scene VIII "Allegorical Figure"
​
Ballet "The False Oath"
Scene I "The Meadow"
Scene II "The Wallflower"
Scene III "The Chair Animal"
Scene IV "The Mask of Fear" (No. 21)
Scene V "The Exotic River Landscape"
Scene VI "The Angler"
Scene VII "Good Place for Fish"
Scene VIII "They're Biting"
Scene IX "Rainy Day"
Scene X "Sunken Island"
Scene XI "Twittering Machine" (No. 1)
Scene XII "The False Oath"
Scene XIII "The Attack's Matter"
Scene XIV "Plants in the Moonlight" (No. 124)

All Pieces Listed by Number

​No. 1a "Twittering Machine" (clarinet and piano) | 2011, rev. 2015
No. 1b "Twittering Machine" (alto sax and piano) | rev. 2015
No. 1c "Twittering Machine" (fl, cl, vln, vc, pno) | rev. 2018
No. 2a "High Spirits" (flute and percussion) | 2011, rev. 2017
No. 2b "High Spirits" (sopranino sax, percussion) | 2011, rev. 2017
No. 3a "White-Framed Polyphonically" (mixed octet) | 2011
No. 3b "White-Framed Polyphonically" (saxophone choir) | 2011, rev. 2015
No. 4a "Fugue in Red" (Fugue I) (trumpet quartet) | 2011
No. 4b "Fugue in Red" (Fugue I) (sax quartet or choir) | 2019
No. 4c "Fugue in Red" (Fugue I) (string quartet) | n/a
No. 5 "Heroic Strokes of the Box" | 2011 REMOVED
No. 6a "Red Balloon" (tuba, vibraphone, marimba) | 2011
No. 6b "Red Balloon" (baritone sax, vib, mar) | 2011, rev. 2015
No. 7a "Separation in the Evening" (ten. sax and vibraphone) | 2011
No. 7b "Separation in the Evening" (bsn. and vib.) | 2011, rev. 2018
No. 8a "Fire in the Evening" (ten. sax and vibraphone) | 2011
No. 8b "Fire in the Evening" (bsn. and vibraphone) | 2011, rev. 2018
No. 9a "Illuminated Leaf" (piano) | 2015
No. 9b "Illuminated Leaf" (cl, perc, pno) | 2018
No. 9c "Illuminated Leaf" (cl, hn, pno) | n/a
No. 9d "Illuminated Leaf" (fl, cl, vln, vc, pno) | 2018
No. 10 "Colorful Lightning" (bassoon and perc.) | 2015, rev. 2017
No. 11 "Groynes" (bassoon and perc.) | 2015, rev. 2017
No. 12a "Hovering" (piano) | 2017
No. 12b "Hovering" (cl, perc, piano) | 2018
No. 12c "Hovering" (fl, cl, vln, vc, pno) | 2018
No. 13 "Rose Garden" (fl, cl, vln, vc, pno) | 2018
No. 14a/b "Destroyed Place" (Scene II) (flute/alto flute, opt. tam-tam) | 2019
No. 15a "Flowers in the Wind" (vln, vc, pno) | 2018
No. 15b "Flowers in the Wind" (fl, cl, vln, vc, pno) | 2018
No. 16 "In the Magic Mirror" (Portrait XVI) (violoncello) | 2017
No. 16b "In the Magic Mirror" (violin) | 2018
No. 16c "In the Magic Mirror" (viola) | 2018
No. 17 "Carnival in the Mountains" (fl, cl, vln, vc, pno) | 2018
No. 18a "Intoxication" (Portrait XIV) (violin) | 2017
No. 18b "Intoxication" (violoncello) | 2018
No. 18c "Intoxication" (viola) | 2018
No. 19 "She Bellows, We Play" (flute and clarinet) | 2018
No. 20 "Unstable Equilibrium" (violin and violoncello) | 2017
No. 20 "Unstable Equilibrium" (flute and bassoon)  | 2018
No. 21 "Mask of Fear" (Portrait IV) (clarinet) | 2017
No. 22 "Dream City" (fl, cl, vln, vc, pno) | 2018
No. 23 "Mural from the Temple of Longing" (cl, pno, perc) | 2018
No. 24 "Oceanic Landscape" (cl, pno, perc) | 2018
No. 25 "Strong Dream" (fl, cl, ob, vln, vla, vc, pno, perc) | 2020
No. 26 "Ad Marginem" (fl, cl, ob, vln, vla, vc, pno, perc) | 2020
No. 27 "Moonrise - Sunset" (fl, cl, ob, vln, vla, vc, pno, perc) | 2022
No. 28 "Eclipse of the Sun" (fl, cl, ob, vln, vla, vc, pno, perc) | 2022
No. 29 "Full Moon" (fl, cl, ob, vln, vla, vc, pno, perc) | 2021
No. 30 "Moon Light" (fl, cl, ob, vln, vla, vc, pno, perc) | 2022
No. 31 "Fire at Full Moon" (fl, cl, ob, vln, vla, vc, pno, perc) | 2021
No. 32 "Fish Image" (Quartet I) (fl) | 2021
No. 33 "Landscape with Yellow Birds" (Quartet) (fl) | 2018
No. 34 "Fish in a Circle" (Quartet II) (ob) | 2019
No. 35 "Bird Comedy" (Quartet II) (ob) | 2020
No. 36 "The Aquarium" (Quartet III) (cl) | 2022
No. 37 "Bird Garden" (Quartet III) (cl) | 2020
No. 38 "Six Fish" (Quartet IV) (bsn) | n/a
No. 39 "Crow Landscape" (Quartet IV) (bsn) | n/a
No. 40 "Aquarium Green-Red" (Quartet V) (hn) | 2018
No. 41 "Untitled" (Quartet V) (hn) | 2018
No. 42 "Forest Bird" (Quartet V) (hn) | 2018
No. 43 "Fishes in the Deep" (Quartet V) (hn) | 2018
No. 44 "The Goldfish" (Quartet VI) (tpt) | n/a
No. 45 "Down the More Troubling Bird" (Quartet VI) (tpt) | 2022
No. 46 "Underwater Garden" (Quartet VII) (tbn) | 2024
No. 47 "Bird of Prey" (Quartet VII) (tbn) | 2024
No. 48 "Fish Magic" (Quartet VIII) (euph) | n/a
No. 49 "Bird Wandering Off" (Quartet VIII) (euph) | n/a
No. 50.1 "Bird = Islands" (Quartet IX) (mallet perc) | n/a
No. 50.2 "Exotic River Landscape" (Quartet IX) (mallet perc) | n/a
No. 51.1 "Good Place for Fish" (Quartet IX) (mallet perc) | 2022
No. 51.2 "Sunken Island" (Quartet IX) (mallet perc) | 2022
No. 52.1 "Mud-Woodlouse-Fish" (Quartet X) (aux perc) | n/a
No. 52.2 "Untitled" (Quartet X) (aux perc) | n/a
No. 53.1 "Traveling Birds" (Quartet X) (aux perc) | n/a
No. 53.2 "Blue-Bird Pumpkin" (Quartet X) (mallet and aux perc) | n/a
No. 54 "Growth of the Night Plants" (Fugue II) (wind ensemble) | n/a
No. 55 "Ripening Growth" (Fugue III) (wind ensemble) | n/a
No. 56 "Suspended Fruit" (Fugue IV) (wind ensemble) | n/a
No. 57 "Plant Growth" (Fugue V) (wind ensemble) | n/a
No. 58 "Demon Above Ships  (sax quartet) | n/a
No. 59 "Introducing the Miracle (sax quartet) | n/a
No. 60 "The Saint of the Inner Light" (Portrait I) (voice) | n/a
No. 61 "The Chapel" (Scene I) (voice) | n/a
No. 62 "Has Head, Hand, Foot and Heart" (Symbol I) (voice) | n/a
No. 63 "Woman Cursing" (Portrait II) (flute) | 2019
No. 64 "Masks at Twilight" (Symbol II) (flute) | 2019
No. 65 "Sealed Woman" (Portrait III) (oboe) | 2020
No. 66 "The Billy Goat" (Scene III) (oboe) | 2020
No. 67a "Slightly Dry Poem" (Symbol III) (oboe) | 2020
No. 67b "Slightly Dry Poem" (Symbol III) (tenor saxophone) | 2020
No. 68 "Blades" (Symbol IV) (clarinet) | 2021
No. 69 "Modest Home" (Scene V) (bassoon) | 2021
No. 70 "Red Waistcoat" (Symbol V) (bassoon) | 2021
No. 71 "Head of a Child" (Portrait VI) (celesta) | n/a
No. 72 "Before the Snow" (Scene VI) (celesta) | n/a
No. 73 "Collection of Sacred Stones" (Symbol VI) (celesta) | n/a
No. 74 "Nearly Hit" (Portrait VII) (horn) | n/a
No. 75 "Howling Dog" (Scene VII) (horn) | n/a
No. 76 "Landscape at the Pivotal Point" (Symbol VII) (horn) | n/a
No. 77 "Mister Pigs-pearl" (Portrait VIII) (vibraphone) | n/a
No. 78 "Where the Eggs and the Good Roast Come From" (Scene VIII) (vib) | n/a
No. 79 "Black Mullion and Transom" (Symbol VIII) (vibraphone) | n/a
No. 80 "Contemplation at Breakfast" (Scene IX) (trumpet) | 2020
No. 81 "Commemorative Sheet E" (Symbol IX) (trumpet) | n/a
No. 82 "Swamp Legend" (Scene X) (trombone) | n/a
No. 83 "Wealth" (Symbol X) (trombone) | n/a
No. 84 "The Mask with the Little Flag" (Portrait XI) (tuba/euph) | 2020
No. 85 "Tropical Twilight" (Scene XI) (tuba/euph) | 2020
No. 86 "Composition in Red, Yellow, Gray and Black" (Symbol XI) (tuba/euph) | n/a
No. 87 "Small Portrait with Black Quadrangles" (Portrait XII) (mar) | 2019
No. 88 "Landscape with Agaves" (Scene XII) (marimba) | 2020
No. 89 "Hidden Treasures" (Symbol XII) (marimba) | 2019
No. 90 "Angelus Novus" (Portrait XIII) (harp) | n/a
No. 91 "Palace in Passing" (Scene XIII) (harp) | n/a
No. 92 "Signs in Yellow" (Symbol XIII) (harp) | n/a
No. 93 "Converted" (Symbol XIV) (violin) | n/a
No. 94.1a "Maid of Saxony" and "Queen of Hearts" (Portrait XV) (viola) | n/a
No. 94.1b "Maid of Saxony" (Portrait XV) (accordion) | 2021
No. 94.2 "Queen of Hearts" (Portrait XV) (viola) | n/a
No. 95 "Autumn Flower" and "Rose Wind" (Scene XV) (viola) | n/a
No. 96 "Flora on the Rocks" (Symbol XV) (viola) | n/a
No. 97 "Winter Sleep" (Scene XVI) (violoncello) | 2021
No. 98 "At the Core" (Symbol XVI) (violoncello) | 2021
No. 99 "Ships in the Dark" (Scene XVII) (contrabass) | n/a
No. 100 "But the Red Roof" (Symbol XVII) (contrabass) | n/a
No. 101 "One Who Understands" (Portrait XVIII) (percussion) | n/a
No. 102 "Death and Fire" (Scene XVIII) (percussion) | n/a
No. 103 "Kettledrummer" (Symbol XVIII) (percussion)
No. 104 "Senecio" (Portrait XIX) (organ) | 2019
No. 105 "City of Churches" (Scene XIX) (organ) | 2020
No. 106 "Revolution of the Viaducts" (Symbol XIX) (organ) | 2020
No. 107 "Singer of the Comic Opera" (Septet, Singer 1 through 6) | n/a
No. 108 "Battle Scene" (Septet, Scene I) | n/a
No. 109 "The Mountain of the Sacred Cat" (Septet, Scene II) | n/a
No. 110 "Ventriloquist and Crier in the Moor" (Septet, Scene III) | n/a
No. 111 "Limits of Reason" | n/a
No. 112 "The Miraculous Landing (or the 112) | n/a
No. 113 "Scherzo for 13" (13 instruments) | n/a
No. 114 "Adventure's Ship" (Septet, Etching I)
No. 115 "Flag-decked City" (Septet, Etching II)
No. 116 "Adventurers at Sea" (Septet, Etching III)
No. 117 "Ghost of a Genius" (Portrait IV) (clarinet) | 2019
No. 118 "Portrait of a Yellow Man" (Portrait V) (bassoon) | 2021
No. 119 "Black Herald" (Portrait IX) (trumpet) | n/a
No. 120 "Head of a Famous Robber" (Portrait X) (trombone) | n/a
No. 121 "Ask Yourself" (Portrait XIV) (violin) | 2019
No. 122 "Black Prince" (Portrait XVII) (contrabass)
No. 123a "Hardy Plants" (cl, vln, vc, pno) | 2021
No. 124a "Plants in the Moonlight" (cl, vln, vc, pno) | 2021
No. 125 "Refuge" (horn and piano) | n/a
No. 126 "Brother and Sister" (clarinet and horn) | n/a
No. 127 "Day Music" (fl, cl, bsn, perc) | n/a
No. 128 "Chariot of Virtue" (fl, cl, bsn, perc)  | n/a
No. 129 "Small World" (fl, cl, perc, pno, vln, vc) | 2023
No. 130 "Tightrope Walker" (3 flex inst, perc) | n/a
No. 131 "Southern (Tunisian) Garden" (wind quintet, perc) | n/a
No. 132 "Red and White Domes" (wind quintet, perc) | n/a
No. 133 "Remembrance of a Garden" (wind quintet, perc) | n/a
No. 134 "Animals in an Enclosure" (brass quintet, perc) | n/a
No. 135 "Around the Fish" (brass quintet, perc) | n/a
No. 136 "Cat and Bird" (brass quintet, perc) | n/a
No. 137a "Translucent, Orange-Blue" (cln, vln, vc, pno) | 2021
No. 138 "Dance Position" (pno) | n/a
No. 139 "Dying Plants" (pno) | n/a
No. 140 "Diabolo Player" (conduction) | n/a
No. 141 "Mountains in Winter" (conduction) | n/a
No. 142 "Helical Flowers I and II" (pno) | n/a
No. 143 "Gift" (pno) | n/a
No. 144 "Ad Parnassum" (strings, hp, gtr, perc) | n/a
No. 145 "Revolving House" (strings, hp, gtr, perc) | n/a
No. 146 "Monument in Fertile Country" (strings, hp, gtr, perc) | n/a
No. 147 "Equals Infinity" (strings, hp, gtr, perc) | n/a
No. 148 "Highways and Byways" (strings, hp, gtr, perc) | n/a
No. 149 "Coast of Provence" (strings, hp, gtr, perc) | n/a
No. 150 "Pastorale (Rhythms)" (strings, hp, gtr, perc) | n/a
No. 151 "Pyramid" (mixed octet) | n/a
No. 152 "Resting" (mixed octet) | n/a
No. 153 "Double Tent" (mixed octet) | n/a
No. 154 "Architecture of the Plane" (reed quintet) | 2021
No. 155 "Like a Window Pane" (flex ensemble) | n/a
No. 156 "Harmony of Southern Flora" (flex ensemble) | n/a
No. 157 "Static-Dynamic Gradation" (flex ensemble) | 2019
No. 158 "The Blooming Garden" (flex ensemble) | 2019
No. 159 "Harmony Blue=Orange" (flex ensemble) | n/a
No. 160 "Architektur" (flex ensemble) | n/a
No. 161 "Colorful Flower Beds" (flex ensemble) | 2019
No. 162 "Noerdlicher Ort" (flex ensemble) | n/a
No. 163 "Country House of Thomas R." (flex ensemble) | 2019
No. 164 "Herbstsonniger Ort" (flex ensemble) | n/a
No. 165 "Ancient Sound" (flex ensemble) | 2018